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The further story of the bloody unravelling of the Revolution until its seizure by Napoleon is equally astounding.
Colin There can be few more mesmerising historical narratives than the story of how the dazzlingly confident and secure monarchy Louis XIV, 'the Sun King', left to his successors in french ruler who loved blackjack became the discredited, debt-ridden failure toppled by Revolution in1789.
The further story of the bloody unravelling of the Revolution until its seizure by Napoleon is equally astounding.
Colin Jones' brilliant new book is the first in 40 years to describe the whole period.
Jones' key point in this gripping narrative is that France was NOT doomed to Revolution and that the 'ancien regime' DID remain dynamic and innovatory, twisting and turning until finally stoven in by the intolerable costs and humiliation of its wars with Britain.
Part of me wants to say something similar about getting through this book, which, despite being repeatedly interesting, turned into something of an endurance test for me.
The problem is one of density, both of style and of content.
Part of me wants to say something similar about getting through this book, which, despite being repeatedly interesting, turned into something of an endurance test for me.
The problem is one of density, both of style and of content.
Dealing with an action-packed century full of artistic innovation, philosophical endeavours, war and revolution, I admit I was french ruler who loved blackjack a narrative generously larded with eye-catching historical anecdotes.
But instead, Jones's approach is resolutely academic — and surprisingly dry.
There are very few actual events in this book, and there is a reliance on economic evidence and statistics that — while undoubtedly historically sound — left me feeling increasingly distant from the real people purportedly being described.
This issue is compounded by a prose style which, at best, is compact and witty, but which far too often simply reads like a PhD thesis.
Instead of adventure, we have adventurism, instead of voluntary, we have voluntaristic, french ruler who loved blackjack of lax, laxist, instead of misery miserabilism.
On the level of the paragraph, this is absolutely representative: On the one hand, there was a desire for change within the corporative framework, in ways which respected social hierarchy and vertical ties of dependence.
Are we reading the same thing?
This is efficiency at the cost of legibility — or of reading pleasure, at the very least.
Give me fewer postmodern social theories and more diaries, journals, letters.
When, eight chapters in, a page and a half is given over to a minor scandal involving a diamond necklace, I fell upon the action like it was a battle scene from Return of the King.
This is connected to a more general feeling that Jones is often writing for those already in the know.
But Jones angles things so as to argue his own case first, rather than establish some of the juicy facts which he apparently considers old-hat.
This situation, writ large, is the problem with the whole book.
Having spent several paragraphs getting this off my chest, though, I have to say that The Great Nation grew on me.
Unlike other reviewers, who found the book weakest when it reached the Revolution, I enjoyed that part the most.
The assumption of a little knowledge here was something I could cope with, and Jones's usual obsession with agricultural statistics and legislative events this time seemed genuinely different and enlightening.
Plus, even he couldn't stop a few beheadings creeping in at this point to enliven the narrative, though he certainly makes a point of not lingering on the details.
I did find myself reconsidering my ideas about the Revolution in the light of such surprising statistics as the fact that a mere one percent of nobles were executed, and only a slightly larger number emigrated: the vast majority stayed in France and not just survived but often found ways to prosper.
There was also a coherent overview of the 25-year period from 1789, after which, despite the Revolutionaries' hopes, France would not just have lost its lucrative colonial empire, but would have made no new territorial gains at all.
Here again I'm tempted to make a comparison with my week and a half with this book.
That would be unfair — but while I did come out with a richer understanding of France's fascinating 18th century, I'd have to say that the fascination occasionally seemed to be gleaned in spite of, rather than because of, the work in question.
June 2012 Back in the 1950s, Alfred Cobban wrote the first of what became a three-volume "History of Modern France" for Penguin Press.
Together these books provided a primarily political history soft 17 chart hit blackjack France from the death of Louis XIV to the withdrawal from Algeria in 1962 and survived for decades as a standard English-language introduction to modern French history, thanks in no small measure to the readability and insights contained within the trilogy.
As time went along, however, Cobban's click at this page Back in the 1950s, Alfred Cobban wrote the first of what became a three-volume "History of Modern France" for Penguin Press.
Together these books provided a primarily political history of France from the death of Louis XIV to the withdrawal from Algeria in 1962 and survived for decades as a standard English-language introduction to modern French history, thanks in no small measure to the readability and insights contained within the trilogy.
As time went along, however, Cobban's books increasingly suffered from the their inability to incorporate the ever-growing body of research into French history and the changes in our understanding which this has brought about.
As a result, Penguin Press commissioned a new three-volume series designed to supplant Cobban's blackjack hi lo />As is increasingly the case the task once entrusted to one historian was now divided amongst three specialists, with Colin Jones writing the volume covering France in the 18th century.
While generally emulating Cobban in focusing mainly on political history, Jones gives more attention than his predecessor to social and cultural developments during this period, creating a more well-rounded overview as a result.
Because of this, the book is chock full of insights absent from Cobban's book, with Jones's integration of the Enlightenment and his explanation of its influence on political developments a particularly notable improvement over Cobban's work.
It's easy to see why it has supplanted Cobban's earlier volume as a standard history of 18th this web page France, one that will likely maintain that title for as long as its predecessor did.
This is rather dry, but well-organized and lucid.
The first two-thirds are stronger than the last, which deals continue reading the Revolution; here Jones becomes less detailed than I wanted, assuming a level of knowledge on the reader's part with such recaps as this: "The tale of 14 July 1789 has been painted into every storybook history of France, and the raw elements.
The first two-thirds are stronger go here the last, which deals with the Revolution; here Jones becomes less detailed than I wanted, assuming a level of knowledge on the reader's part with such recaps as this: "The tale of 14 July 1789 has been painted into every storybook history of France, and the raw elements.
Still, I found the first two-thirds excellent and the last certainly serviceable.
Got this in class.
Its NOT an easy read; Its not horrible, its just that he throws in all the facts of all the political intrigues, including things that ended in political dead ends.
When he's discussing scandals etc, the book gets much much easier to read and enjoyable.
Its pretty dense in other words, but as assigned books go, not bad.
I learned a lot about pre-revolutionary France reading this, Got this in class.
Its NOT an easy read; Its not horrible, its just that he throws in all the facts of all the political intrigues, including things that ended in political dead ends.
When he's discussing scandals etc, the book gets much much easier to read and enjoyable.
Its pretty dense in other words, but as assigned books go, not bad.
I learned a lot about pre-revolutionary France reading this, and I had no interest in the subject when I signed up for the course I was just fulfilling a requirement.
I felt like something was missing from this book.
Maybe I have a stubborn list of 5 star books which is most likely the case.
All that said, it was an amazing book and is a good representation of the financial and political difficulties of the time period for the French.
I'm not sure I will be reading the next volumes, although I could most certainly see why someone would want to.
First things first—I am by training a political and social historian, with a couple of generous dashes of cultural and intellectual history sprinkled in there.
Therefore, I read this as a refresher to pretty much my first couple of years in my PhD program in fact, this was actually an assigned text my first semester in.
So if you are looking for juicy anecdotes about Louis XIV or Marie Antoinette, this is not the book for you.
This is a work of political First things first—I am by training a political and social historian, with a couple of generous dashes of cultural and intellectual history sprinkled in there.
Therefore, I read this as a refresher to pretty much my first couple of years in my PhD program in fact, this was actually an assigned text my first semester in.
So if you are looking for juicy anecdotes about Louis XIV or Marie Antoinette, this is not the book for you.
This is a work of political history that tracks the French monarchy from its apex in the 1680s to its complete downfall in 1792 in detail.
Lots of names, lots of dates, and lots of concepts will be thrown about.
Now that that is out of the way!
Great narrative history of 18th c.
I was especially interested in the Regency for Louis XV, and, of course, the Revolution and Brumaire coup at the end.
Also, last point on reflection—I agree with Jones that it is teleological to say that the Revolution was always going to happen, but honestly though, was there really another way out for France?
The social stratification and privilege problem, the humongous debt, the inability of the Bourbons to truly innovate after Louis XIV died, as well as the influences of the Enlightenment plus the religious struggles.
Because of the longevity of XIV and XV, the more groomed successors died out, leaving mere children behind instead.
In the case of XV, his entire male family died out, making him the dauphin instead of his grandfather, father, or elder brother.
What kind of king are you going to get like that?
So I was going to give this 3.
It's not exactly my kind of history book.
I prefer to learn about the people who lived in these times, and less french ruler who loved blackjack the politics, learn more here, philosophical thinking, etc… I wanted to hear more about the lives of Louis XV and Louis XVI.
About the people around them.
But this book doesn't really get into personal matters.
Which is fine, if you prefer a more political retelling of history.
But on top of that the sentences were super drawn on.
I think So I was going to give this 3.
It's not exactly my kind of history book.
I prefer to learn about the people who lived in these times, and less so the politics, economics, philosophical thinking, etc… I wanted to hear more about the lives of Louis XV and Louis XVI.
About the people around them.
But this book doesn't really get into personal matters.
Which is fine, if you prefer a more political retelling of history.
But on top of that the sentences were super drawn on.
I think Jones has a love affair with overusing punctuation.
And I noticed near the end that he couldn't even get the name of Louis XVI's daughter right, instead mistaking her for his sister.
Which is something that could have honestly been googled.
So with all of that, I can't give this any more than three stars.
But not an easy read, and I shouldn't be able to correct an author on his facts.
Forced myself to read this book when i was 17 and fell in love with France.
Beware, it will be a dry reading.

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